Thursday, April 22, 2010

#694. An American Werewolf in London (1981)

Grade: ★★★★

"I didn't mean to call you a meat loaf, Jack!" - David

I will always remember this as the first VHS tape my family ever rented after buying our first VCR.  Why will I remember that?  Because I was away at summer camp at the time!  That was the longest week of my life.

Even after all these years, I still never get tired of watching this movie.  Sure, the effects, although ground-breaking at the time, are now a bit creaky (thanks, Avatar).  But the story is classic boy-meets-wolf, wolf-bites-boy, boy-meets-girl, boy-goes-on-a-murderous-rampage-in-London-and-wakes-up-naked-in-a-zoo.  What could be bad about that?

David (David Naughton) and Jack (Griffin Dunne) are two American backpackers who venture onto the Yorkshire Moors despite the warnings of the suspicious regulars of the Slaughtered Lamb pub.  They soon find out why they were warned to stick to the roads as they're attacked by a hungry werewolf.  Jack becomes Wolf Chow, but David survives thanks to the intervention of the locals.  He wakes up in a London hospital under the care of attractive nurse Alex (Jenny Agutter).  Of course they fall in love, but things get awkward when he transforms into a werewolf and begins snacking on the locals.

There are so many great gruesome, blackly comic scenes in this movie: Jack coming back from the dead to warn David of his impending transformation, David's first transformation, the werewolf pursuit through an underground tube station and David meeting his decaying - and rather annoyed - victims inside a porno theater.  The movie boasts outstanding, and Oscar®-winning, special effects from Rick Baker, which prompted Michael Jackson to hire him and John Landis to work on his classic video epic Thriller.  Even the soundtrack pokes fun at the theme: Van Morrison's "Moondance," Creedence Clearwater Revival's "Bad Moon Rising" and two versions of "Blue Moon" (Bobby Vinton and the more moody interpretation by Sam Cooke).

All-in-all, this is a great horror-comedy that, even though the effects may seem a little cheesy now, stands the test of time.  If you haven't seen it before and you're not scared of Nazi werewolves or if you just feel like laughing at Frank Oz's awkward cameo and David Naughton running naked through the streets of London, wait until the next full moon and enjoy!

Did you know?:  The producers of the film wanted to cast Dan Aykroyd and John Belushi as the two male leads, but John Landis refused.  Instead, he cast David Naughton because he saw him in a Dr. Pepper commercial.  I'm a Pepper, too.

Credits:
U.S./G.B. (American Werewolf, Guber-Peters, Lycanthrope, PolyGram) 97m Technicolor
Director: John Landis
Producer: George Folsey, Jr.
Screenplay: John Landis
Music: Elmer Bernstein
Cast: David Naughton, Jenny Agutter, Griffin Dunne, Don McKillop, Paul Kember, John Woodvine, Joe Belcher, David Schofield, Brian Glover, Lila Kaye, Rik Mayall, Sean Baker, Paddy Ryan, Anne-Marie Davies, Frank Oz
Oscar: Rick Baker (make-up)

Why you should watch An American Werewolf In London: Influential in the comedy-horror genre and Michael Jackson videos.
Why you shouldn't watch: If you faint at the site of blood.

Up Next: Goldfinger (1964)

Saturday, April 17, 2010

#911. Muriel's Wedding (1994)

Grade: ★★★★★

"But since I've met you and moved to Sydney, I haven't listened to one ABBA song.  That's because my life is as good as an ABBA song.  It's as good as 'Dancing Queen.'" - Muriel MARIEL

There are so many great lines in this movie ("You're terrible, Muriel"), but the one above best sums up the whole theme.  All Muriel Heslop (Toni Collette) ever wanted was to get married.  A high school dropout still living at home in Porpoise Spit, Australia with a verbally abusive (adulterous) father and a clueless mum, Muriel never seemed to fit in.  She hangs out with her high school "friends" even though they don't really like her.  The scene where they kick her out of the group is both hilarious and heartbreaking at the same time.

But a chance encounter with old friend Rhonda (Rachel Griffiths) begins Muriel's transformation.  There are a couple of melodramatic themes in the movie, but that's what makes this comedy unique and timeless.  Collette and Griffiths make a fantastic on-screen duo, especially in the talent show scene where they lip-sync (and win) ABBA's "Waterloo."  And what a coincidence that they happened to have exact replicas of ABBA costumes and choreography on a moment's notice.  The movie's so great that even silly things like that didn't even bother me.

Screenwriter/Director P.J. Hogan was originally refused by the band ABBA to use their songs in the movie.  But when he promised to fly to Europe to plead his case in person, permission was granted, provided the band receive a percentage of profits from the film's release.  The movie turned out to be such an international hit, that it inspired the very successful Broadway show Mamma Mia!

I could watch this movie again and again and never get tired of it.  If you haven't seen this, please add this to your Netflix queue immediately!  It's only available on DVD, but I'm praying that a Blu-ray™ release is coming up soon.  But, since I know that Miramax is this close to being put up on Craigslist by Disney, I'm not holding my breath. 

Did you know?: Toni Collette gained 40 pounds in 7 weeks for this role with the help of a dietician.  Meanwhile, I feel like I've gained 40 pounds in 7 weeks with the help of a 2 for 1 sale on Keebler Fudge Shoppe cookies.

Credits:
Australia/France (CiBy 2000, Film Victoria, House & Moorhouse) 106m Color
Director: P.J. Hogan
Producer: Lynda House, Jocelyn Moorhouse, Michael D. Aglion, Tony Mahood
Screenplay: P.J. Hogan
Music: Peter Best
Cast: Toni Collette, Rachel Griffiths, Sophie Lee, Rosalind Hammond, Belinda Jarrett, Pippa Grandison, Bill Hunter, Jeanie Drynan, Daniel Wyllie, Gabby Millgate, Gennie Nevinson, Matt Day, Chris Haywood, Daniel Lapaine
   

Up Next: An American Werewolf In London (1981)

Thursday, April 8, 2010

#935. Toy Story (1995)

Grade: ★★★★★

"This is isn't flying.  This is falling with style."  -- Buzz Lightyear 

When I first started my list of 1001 Movies, I was all gung-ho to watch everything from the beginning of time.  Then I realized that I would be watching silent movies for at least a year before I even got to the "talkies."  I have nothing against silent films, but after watching The Birth of a Nation, I need to switch things up.  So, I will be watching all 1001 Movies in random order.

The first full-length movie from Pixar, and also the first full-length computer animated movie, Toy Story still holds up after 15 years.  This movie represents Walt Disney's original theory on how to make a great movie, have a great story and use great characters to tell it.  Pixar didn't rely on Broadway-style musical numbers to express their characters' feelings.  They used words, music and even facial expressions, which couldn't have been easy in fully computer-generated characters.

We all know the story, Woody is Andy's favorite toy, but when Andy gets a shiny new Buzz Lightyear action figure for his birthday, Woody's not necessarily at the top of the heap anymore.  When Woody tries to hide Buzz behind the bed, he accidentally knocks him out the window and into the yard of Sid, the boy that tortures toys!  It's now up to Woody to rescue Buzz, and along they way they both learn the meaning of true friendship.  Awww.

Multiple viewings do not diminish this movie at all.  There are so many in-jokes and subtlities that you might have missed the first time around.  For example, I never realized that the toolbox on top of the milk crate that Woody is trapped under is a Binford, the same type of tools used on Tim Allen's show Home Improvement

Recently released on Blu-ray™, and I should know since it was the last ad campaign I worked on, this is the perfect movie for the format.  The picture is gorgeous and it's packed with hours of bonus features that delve into the making of this classic.  A definite must-own.

Credits:
U.S. (Pixar Animation, Walt Disney) 81m Technicolor
Director: John Lasseter
Producer: Bonnie Arnold, Ralph Guggenheim
Screenplay: John Lasseter, Andrew Stanton, Peter Docter, Joe Ranft, Joss Whedon, Joel Cohen, Alec Sokolow
Music: Randy Newman
Cast (voices): Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts
Oscars: Special Achievement (John Lasseter)
Oscar Nominations: Best Original Screenplay, Best Music - Score, Best Music - Song ("You've Got A Friend In Me")